Movie Man
When film critic Will Pfeifer isn’t watching movies, he’s reading about movies, talking about movies, thinking about movies or dreaming about movies. Now he shares that unhealthy obsession with you. From Hollywood hits to Japanese obscurities, from Oscar night to the summer season, he’s got movies on the brain — and on this blog.

Archive for February 9th, 2009

James Whitmore, RIP

1 comment February 9th, 2009

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Actor James Whitmore died Friday at the age of 87. I didn’t get a chance to post anything about him over the weekend, but the man’s passing deserves to be noticed.

He had a long, long career, stretching from a part in 1949’s THE UNDERCOVER MAN all the way to a 2007 episode of CSI. Modern audiences probably remember him best for playing Brooks in THE SHAWSHANK REDEMPTION, and fans of older films might remember him as Gus in John Huston’s crime classic, THE ASPHALT JUNGLE, or the giant ant epic THEM!

He also starred in one of the oddest movies I’ve seen, a 1950 drama called THE NEXT VOICE YOU HEAR. In it, the voice of God (yes, God) is heard all over the world via radio, and James Whitmore plays the main character (no, not God), an average Joe-type through whom we see the strange events of this story take place. It’s a weird attempt at some big screen spiritualism, and though it’s pretty interesting to watch (one clever tricks the filmmakers pull is to never let us hear the big voice — we always come to the scene right after the broadcasts), it never quite overcomes its own message. Whitmore is very good in it, though, playing a guy suddenly facing him big issues (and big fears). His down-to-earth style makes this far-fetched film almost (but not quite) believable. Too bad it’s not on DVD.

A little romance

5 comments February 9th, 2009

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In what I’m assuming is a Valentine’s Day week tie-in, the folks over at the Onion AV Club have compiled a list entitled “Romance minus the Schmaltz: 29 Falling-In-Love Movies We Actually Believe In”. It’s a typically sharp list, with a few of my favorites, including ANNIE HALL, ETERNAL SUNSHINE OF THE SPOTLESS MIND, IT HAPPENED ONE NIGHT, PUNCH DRUNK LOVE and A MATTER OF LIFE AND DEATH.

No THE APARTMENT, though? C’mon, Onion — it’s one of the — if not THE — greatest romantic comedies of all time.

And I do confess to liking LOVE ACTUALLY, but it definitely has a large amount of schmaltz distributed among its many storylines (which is one of its strengths.)

Any romantic picks from you folks?


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